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卓木王红木龙景上院整装赏析

来源：家居百科时间：2025年07月05日 14:02

Longjing Shangyuan: The Fusion of Traditional and Modern Chinese Architecture Discover the Beauty of Longjing Shangyuan: A Harmony of Tradition and Modernity

Settled in Dongyang, known as the "Capital of World Wood Carving," the Longjing Shangyuan Ancient Building Clubhouse, a high-end creation by Zhuomu Wang, seamlessly blends the original charm of ancient architecture, the exquisite skills of Dongyang wood carving, and precious redwood furniture. This clubhouse not only continues the historical heritage of ancient buildings but also brings the elegance of contemporary Eastern mansion, achieving a symbiotic coexistence of tradition and modernity.

Zhuomu Wang, with fifty years of craftsmanship heritage, creatively combines traditional Eastern etiquette with modern living needs through the unique idea of "building a house within a house." From customization, design to implementation, every detail embodies Zhuomu Wang's wisdom and efforts, preserving the heavy heritage of ancient buildings while showcasing the style of a noble mansion, perfectly interpreting the unique charm of refined Chinese life.

Longjing Shangyuan, as a living inheritance of the Wupai ancient architecture, deeply integrates the "rule of ceremony" core of Confucian culture with architectural aesthetics. With a large户型, a large courtyard, and a large open hall as the framework, the black tile and white wall with the horse head wall arranged in an orderly manner, it fully shows the solemn and majestic atmosphere of traditional architecture. Zhuomu Wang reshapes the ancient architectural texture with modern design language, retaining the essence of clear water wood carving, redwood culture, and introducing light and shadow art to give the space a sense of vitality. When the sun shines through the carved window lattices, casting scattered shadows on the green brick ground, the traditional "medium" philosophy resonates with contemporary aesthetics.

The "clear water white wood" technique of Dongyang wood carving is hidden in every meticulously carved woodwork, with its plain surface without paint yet showing the texture of the wood grain. The classic structure of "fat beam and thin column" integrates the decorative and structural characteristics of wood carving. The红豆杉wood columns support the nine-bay hall, the robust winter melon beam and the delicate sparrow bracket form a visual tension, just like the craftsmanship philosophy of "a single tree supporting a thousand jin."

The nine-lion leg depicts the family vision of "nine generations living together." The fish transforming into a dragon sparrow bracket carves the leaping carp, with its scales gradually changing and the dragon's horn emerging,寄托青云之志. The deer carrying the lingzhi carving board outlines the longevity symbol with smooth lines, turning the beautiful legend into a tangible vision of life. Every carefully selected woodwork in the clubhouse is not only a building component but also a cultural totem carrying the family's wishes.

Zhuomu Wang reconstructs the functional space of Longjing Shangyuan ancient building with the concept of "using the ancient for the modern." In the center of the four-water-coming-to-the-hall courtyard, the simple earthenware jar collects the light and rain, continuing the traditional meaning of "attracting wealth and gathering qi" while becoming the visual focus of the space. The main hall is built according to the official mansion regulation of "three rooms wide and nine bays deep," with the wooden beam carving and modern light and shadow blending, showcasing the grandeur of a noble mansion.

In the nine-bay hall, the carved beam and lintel are embedded with modern bars and tea areas, with redwood furniture and leather sofas complementing each other; Zhuomu Wang turns the four-water-coming-to-the-hall courtyard into a leisure area, with the green stone slab and redwood tea table, the horse head wall and the lighting outlining "Eastern emotion and Western style." Traditional carvings and modern functions are seamlessly connected, making the thousand-year-old culture both appreciable and livable.

Under the overlapping eaves of green tiles, the redwood furniture and courtyard brick walls stand silently together in the years, with the wood grain luster and the wall spots gradually forming a response. Zhuomu Wang writes the Confucian ritual order with redwood whole installation, blends modern life in the nine-bay hall, and achieves a model of traditional and modern coexistence in the Eastern human settlement, sketching a poem of life that can be passed down for generations for the noble families.